While watching technique videos I came across Kara Leigh Ceramics. She talks about how clay can become tired, which got me thinking about how clay is considered to have memory. My interests center around collective memory and how the voices of women are being silenced.
Could I look into working with “tired” clay as a means of representing the tired women? The overworked women? Forcing a function of clay to make it do what I want even if it doesn’t look good or actually function properly?