EDIT Research

Doris Salcedo

January 22, 2018

Salcedo grounds her art in intense research, which includes prolonged fieldwork and extensive interviews with those who have experienced violence and loss. Seeking out direct accounts, or obtaining physical evidence from victims or their relatives and friends, she becomes what she calls a β€˜secondary witness’. To articulate catastrophe visually, she has consistently resorted to techniques of eradication, disfiguration, blockage and especially removal. The last of these offers a particularly effective way to represent trauma – not only because disaster literally annihilates people and things, but also because when attempts are made to recall it, there is often a failing of memory, since trauma has the effect of obliterating its own recollection.

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